The fabric makes a mistake where the pattern crosses the seam, fold or edge of the body.
The cage and the strip give the model a rigid coordinate system, so if the lines suddenly converge, split or change step, the viewer notices the defect before he can evaluate the entire clothing.
The drawing should keep the step, but change the apparent size in the future.
On the near end of a garment, the cage is larger; on the outgoing surface, it's narrower. This isn't a rhythm disturbance if the change happens smoothly. The accidental appearance of an extra stripe or a sharp jump in scale means that the model has lost structure.
The fold bends the pattern along with the fabric
The strip on the convex fold expands, shrinks and darkens in the recess. It doesn't have to stop at the crease and start again after it, but you can test by looking at how the pattern behaves if there is a plausible surface underneath.
At the seams, the pattern may not match - but the gap must be meaningful
In a well-tailored jacket, the cage is often aligned on the pockets and the center buckle, but it changes direction in the sleeve. It's wrong to demand perfect continuity everywhere. First determine where the real parts of the cut go.
Lace and mating are tested according to the motive, not every thread.
Record the size of the repeating element, the direction of weaving and the transparency of holes. At the edges the motif may break off, but it should not dissolve into random noise or turn into a printed pattern.
Request.Keep the original pattern of tissue: same pitch, color and line thickness. The pattern naturally encircles the body and folds, changes direction only at real seams; it doesn't merge or create additional stripes; keep the shape of your clothes and your pockets in position.
Take a look at one line across the whole object.
The pattern does not break down at the edge of clothes.
The lines deform along with the volume.
The rupture corresponds to the design.
Motive's step remains stable.
Check the pattern in places where the model is most often wrong.
Mark the five junctions: shoulder seam, armpit, elbow and waistline and overlap with hand or accessory. Stripes and cells must change direction along with tissue but keep pace. Ornament must not suddenly double, dissolve, or pass through the suture.
For the exact product, keep a separate large reference of fabric in neutral light. In the promo scene, monitor the silhouette of clothing and the general nature of the material, and confirm the actual pattern with a real card. If the print is part of a brand, it is safer to apply it with an accurate graphic layer after the scene has been generated.
Branded print and actual drawing require a real master
The generation is suitable for the idea of a scene, but should not replace an accurate photograph of the unique ornament.
The pattern simultaneously describes the material, cut and body shape.
Therefore, it can not be considered a decorative trifle: the continuity of drawing is one of the most rigorous tests of AI-fixing clothes.