You need to change the tissue around your body, not reinvent a person.
Clothing is connected to the neck, shoulders, arms and posture. So "wear your jacket" often triggers a broader rearrangement: elbow shifts, waist constriction, brush disappears under a new sleeve. Reliable editing begins with separating constant from changeable.
New clothing changes the silhouette, but should not change the reference points of the body
The model does not see a separate layer of wardrobe, but a solid image. The jacket requires new lapels, shoulders, sleeves, folds and shadows. If you do not fix the pose, the easiest way for the model is to slightly adjust the person to a comfortable form of clothing.
Changing the color of your shirt with the same cut.
The t-shirt turns into a shirt or jacket.
Coat, difficult posture, hands in front of the body.
Before generation, mark six points that cannot be shifted.
After editing, compare not the overall impression, but the relative position of these points. A new volume of tissue is acceptable; a new arm length or another palm position is already a mistake.
Crop and material set separately
"Black dress" describes only category and color. It takes length, fit, sleeve type and material behavior to make a convincing result. Flax gives wide soft folds, thin glare, thick coat holds shape. The more precise the physics of the fabric, the fewer random decorative solutions.
First fix the person, then describe the replacement.
Example of requestReplace only the white T-shirt with a coral single-breasted jacket made of matte suit fabric. Save face, figure, initial posture, shoulder, elbow and hand position. The jacket sits naturally on the body, the sleeves end at the wrists, light and shadows match the original frame.
If jewelry, watches or a tattoo near the edge of clothing are important, list them as separate protected parts.
Check the result from body to tissue
A complex angle is not always suitable for a virtual change of clothes.
If the hands tightly overlap the body, the original clothing covers the figure or a person is filmed in motion, models have to guess the hidden anatomy. For accurate catalogue results, it is better to choose a frame with readable shoulders, waist and brushes.
A successful change of clothes begins with a passport pose.
Then the model gains freedom in fabric, color and cut, but does not use this freedom to imperceptibly replace a person.